水土不伏: 都市邊界．映像對話

Interflow: Screening Series on Urban Frontier

👯👯‍♂️實體活動 In-person only

👯👯‍♂️由於場地限制，每場人數上限約25人，請觀眾務必填寫表單，放映活動將優先讓提前報名的觀眾進場。成功報名者與候補報名者將於一星期前收到活動提醒電郵。如報名者未能出席，請於至少一天前以電郵通知。Please register to reserve a seat as each event only allows up to 25 participants. Successful registrants and waitlisted registrants will receive a confirmation email one week prior to the screening. Please send us an email at least one day before if you could not attend the screening. 

📌以下是放映活動資訊與活動簡介，放映場次、影片與影人簡介和活動流程等完整資訊請見：放映手冊。

📌Please scroll down for event details, foreword, and screening program introduction. Please refer to the brochure for synopses, filmmakers' bios, and rundown.

📌活動資訊 Event Details

🧝🏻‍♀️放映單元：神明在地 Myths of the Lost Land (Oct 27, 2024)

📽放映影片 Full-length Screening of Selected Films

1.李文漫遊東湖 Li Wen at East Lake (2015) (導演 Director：李珞 Luo Li；中英字幕 Chinese & English subtitles)

2.空城前的相信 Belief before the Deserted City (2023) (導演 Director：空城現場 Delayed Takeoff from Taoyuan；中英字幕 Chinese & English subtitles)

🧑‍🎨映後座談嘉賓 Q&A speakers：李珞 Luo Li x 空城現場 Delayed Takeoff from Taoyuan

👨‍💻主持人 Moderator: 李齊 Qi Li （陽明交通大學社會與文化研究所博士候選人 PhD candidate, Institute of Social Research and Cultural Studies, National Yang Ming Chiao Tung University）

⏰時間 Time: Oct 27, 2024 (Sun), 13:00-17:00

🏫地點 Venue: 剝皮寮視聽室 Bopiliao Movie Theater (台北市萬華區康定路173巷 Ln. 173, Kangding Rd., Wanhua Dist., Taipei City, Taiwan）

* 映後問答環節以中文進行，現場提供即時中翻英口譯 Q&A will be conducted in Mandarin Chinese with simultaneous Mandarin-English interpretation 

🚣🏼放映單元：陸上行舟 Portage (Nov 3, 2024)

📽影片選映 Selective Screenings of Selected Films

1. 路上行舟 Go to Street with Boat towards Coop (2022) (由一群藝術家和朋友發起、參與、拍攝與剪輯 Initiated, participated, photographed, and edited by a collective of artists and anonymous)

2. 造舟、問石，祭（記）海口 Remembering Haikou by Reperforming (2024) (導演 Director：空城現場 Delayed Takeoff from Taoyuan)

🧑‍🎨講者 Speakers｜子杰 June Lee x 空城現場 Delayed Takeoff from Taoyuan

👨‍💻主持人 Moderator｜李齊 Qi Li（陽明交通大學社會與文化研究所博士候選人 PhD candidate, Institute of Social Research and Cultural Studies, National Yang Ming Chiao Tung University）

⏰時間 Time: Nov 3, 2024 (Sun), 14:00-17:30

🏫地點 Venue: 現流冊店 hiān-lâu tsheh-tiàm（台北市大同區重慶北路二段70巷15號一樓 1F, No.15, Ln. 70, Section 2, Chongqing North Rd., Datong Dist., Taipei City, Taiwan）

* 分享以中文進行，現場提供即時中英口譯 Sharing will be conducted in Mandarin Chinese with simultaneous Mandarin-English interpretation

* 現場將展示小誌 Zine exhibition on site 

📌前言 Foreword

流動的水，有時覆蓋陸地，有時沿邊失守而向內退縮。人類史上各式各樣的浩瀚工程，漸次打斷水土之間的進退遊戲。圈地的怪獸開疆拓土，有人試著修補。我們在幾組影像裡，一再看見人們往返於水域和大地的路徑——他們測量湖岸線被移動的位置；觀察開發現場的人和事；因地塊爭執的現況而深掘歷史。攝影機捕捉地方水土被搬動後的殘影，還有人們的身心症狀。若開發的意志不可阻止，草芥小民如何反駁？

遍求諸神，編造野史，集體行動，與官周旋——讓眾多伏流重新浮上地面，覆寫發展敍事掩蓋的地景。

本活動展映四部影片——於武漢拍攝的《李文漫遊東湖》(2015) 和《路上行舟》(2022)，於桃園拍攝的《空城前的相信》(2023) 和《造舟、問石，祭（記）海口》(2024) ——作為彼此的時空參照，共同討論土地徵用和地產霸權下的水土記事、神秘現象、藝術行動和文化抗争。

Interflow indicates a movement of stream that dances back and forth between earth and water. Throughout the ages, massive infrastructural construction has gradually and constantly interrupted the vibrant, creative interplay between earth and water. Capitalist enclosure forges new territories, while others endeavor to mend what has been engulfed. Our collection of films repeatedly explores human’s two-way routes between water and land - charting the evolution of a lake's shoreline, documenting the faces and happenings within evolving landscapes, and unraveling the complex spatial histories due to land disputes. Through the eye of the camera, we witness the multiple imprints left by interflow and the physical and emotional symptoms of the dwellers. Facing such unstoppable momentum, how might the everyday individual make their stand?

Turn to the divine, rewrite grassroots histories and tales, join collective actions, and bargain with the officials. Let multiple undercurrents go beneath the surface to reveal different trajectories of urban landscape beyond developmentalist narrative.

This screening series presents four films - Li Wen at East Lake (2015) and Go to Street with Boat towards Coop (2022), each captured in Wuhan, alongside Belief before the Deserted City (2023) and Remembering Haikou by Reperforming (2024), both set against the backdrop of Taoyuan. These films serve as inter-reference to each other under land acquisition and real estate monopoly, delving into place memory, unveiling the religious or historical enigmas, and championing artivism and cultural activism.