Thinking the social dynamics with motion pictures: Film sociology, independent and underground art, sociology of emancipation, ecological struggles, transnational solidarity & Roundtable Forum: ICCS Research Fellows, NYCU

日期時間：12/3（二）10:00～13:00 （臺灣時間）

 

地點：國立陽明交通大學人社二館1樓 HB101-1教室，同步線上參與。

 

線上會議連結：https://us02web.zoom.us/j/85372304096?pwd=h5rI3H5xmCHRTEvMpjHbAH83uCtLLB.1

 

會議ID：853 7230 4096

 

密碼：915376

 

 

 

講者：

 

◆ Vincent Delbos-Klein

 

－Associate Researcher at the Pierre Naville Center, Laboratoire de sociologie de l'Université d'Evry – Paris-Saclay

 

－Director and Director of Photography for Bagan Films Co-founder of the production company Les Films Quantiques

 

主持人：

 

◆ 劉紀蕙　

 

－國立陽明交通大學文化研究國際中心主任

 

 

圓桌論壇：國立陽明交通大學文化研究國際中心研究員：

 

◆ 劉紀蕙

 

國立陽明交通大學文化研究國際中心主任

 

◆ 賴雯淑

 

國立陽明交通大學應用藝術研究所教授兼所長

 

◆ 包德樂

 

國立陽明交通大學外國語文學系教授

 

◆ 勞維俊

 

國立陽明交通大學視覺文化所副教授

 

◆ 顧廣毅

 

國立陽明交通大學應用藝術研究所助理教授

 

◆ 謝一誼

 

國立陽明交大人社系博士級研究員、國立清華大學人類所兼任助理教授

 

◆ Aubrey Kandelila Fanani

 

台聯大亞際文化研究國際碩士學位學程碩士生

 

◆ 阮氏蘭欣

 

國立陽明交通大學社會與文化研究所博士候選人

 

◆ 鄭南溪

國立陽明交通大學應用藝術研究所博士生

 

 

議程

 

★ Lecture by Vincent Delbos-Klein

 

★ Roundtable Forum: ICCS Research Fellows, NYCU

 

★ Discussion

 

 

摘要

 

In his upcoming presentation, Vincent Delbos-Klein will explore the institutional and operational frameworks of French cinema, initiating with an overview of the institutional context and delineating the unique characteristics of its model in terms of both norms and exceptions. His analysis extends into the transformation triggered by the mass adoption of digital tools in the early 2000s, which not only altered access to cinematic practice but also undermined French social law by institutionalizing "hope-labor" practices.

 

Delbos-Klein will share insights from his recent fieldwork involving filmmakers in Laos, Vietnam, and Cambodia, shedding light on regional cinematic practices and their implications.

 

The latter portion of his talk will pivot to his contributions to visual sociology, particularly film sociology. He will introduce ongoing projects that bridge research and creative expression: "Quantique Khan," a study tracking a DIY musician and quantum physics researcher touring between France and Japan; "Retour aux sources," which examines a network of water activists operating between India and France; and "Once There Was," an animated documentary series chronicling ecological disasters globally.

 

This presentation aims to dissect the epistemological challenges posed by visual elements in research and the dynamic interplay between research and creative processes, highlighting innovative approaches in sociological inquiry.

 

主辦單位：

 

國立陽明交通大學文化研究國際中心，子計畫六「藝術介入與社會行動」

 

Transit Asia Research Network (TARN)

 

經費來源：

 

教育部高等教育深耕計畫─特色領域研究中心計畫：「衝突、正義、解殖：21世紀轉型中的亞洲」

 

____________________________________________________

 

Date & Time：12/3（Tue.）10:00～13:00 (Taiwan Time)

 

Venue：HB101-1, 1st Floor, HA Building 2, National Yang-Ming Chiao Tung University (NYCU). Hybrid seminar

 

Online Link：https://us02web.zoom.us/j/85372304096?pwd=h5rI3H5xmCHRTEvMpjHbAH83uCtLLB.1

 

ID：853 7230 4096

 

Code：915376

 

 

 

Speaker：

 

◆ Vincent Delbos-Klein

 

－Associate Researcher at the Pierre Naville Center, Laboratoire de sociologie de l'Université d'Evry – Paris-Saclay

 

－Director and Director of Photography for Bagan Films Co-founder of the production company Les Films Quantiques

 

Moderator：

 

◆ Joyce C.H. Liu

 

－Professor/Director, International Center for Cultural Studies, NYCU, Taiwan

 

 

Roundtable Forum: ICCS Research Fellows, NYCU：

 

◆ Joyce C.H. Liu

 

Director, International Institute for Cultural Studies, National Yang Ming Chiao Tung University

 

◆ Wen-Shu Lai

 

Professor and Chair, Institute of Applied Arts, National Yang Ming Chiao Tung University

 

◆ Dean Brink

 

Professor, Department of Foreign Languages & Literatures, National Yang Ming Chiao Tung University

 

◆ Louis Lo

 

Associate Professor,Institute of Visual Studies, National Yang Ming Chiao Tung University

 

◆ Kuang-Yi Ku

 

Assistant Professor, Institute of Applied Arts, National Yang Ming Chiao Tung University

 

◆ I-Yi Hsieh

 

Postdoctoral Fellow, Department of Humanities and Social Sciences, National Yang Ming Chiao Tung University; Adjunct Assistant Professor, Institute of Anthropology, National Tsinghua University

 

◆ Aubrey Kandelila Fanani

 

M.A. student, International Program in Inter-Asia Cultural Studies, University System of Taiwan

 

◆ Hanh Nguyen

 

PH.D. candidate, Institute of Social Research and Cultural Studies, NYCU.

 

◆ Nanxi Zheng

Doctoral Student, Institute of Applied Arts , NYCU.

 

 

Agenda

 

★ Lecture by Vincent Delbos-Klein

 

★ Roundtable Forum: ICCS Research Fellows, NYCU

 

★ Discussion

 

 

Abstract

 

In his upcoming presentation, Vincent Delbos-Klein will explore the institutional and operational frameworks of French cinema, initiating with an overview of the institutional context and delineating the unique characteristics of its model in terms of both norms and exceptions. His analysis extends into the transformation triggered by the mass adoption of digital tools in the early 2000s, which not only altered access to cinematic practice but also undermined French social law by institutionalizing "hope-labor" practices.

 

Delbos-Klein will share insights from his recent fieldwork involving filmmakers in Laos, Vietnam, and Cambodia, shedding light on regional cinematic practices and their implications.

 

The latter portion of his talk will pivot to his contributions to visual sociology, particularly film sociology. He will introduce ongoing projects that bridge research and creative expression: "Quantique Khan," a study tracking a DIY musician and quantum physics researcher touring between France and Japan; "Retour aux sources," which examines a network of water activists operating between India and France; and "Once There Was," an animated documentary series chronicling ecological disasters globally.

 

This presentation aims to dissect the epistemological challenges posed by visual elements in research and the dynamic interplay between research and creative processes, highlighting innovative approaches in sociological inquiry.

 

 

 

Organizor:

 

International Center for Cultural Studies (NYCU), Sub-project “Social Intervention and Artistic Production”

 

Transit Asia Research Network (TARN)

 

Funding:

 

Ministry of Education Higher Education SPROUT Project 2.0: "Conflict, Justice, Decolonization 2.0: Asia in Transition in the 21st Century"