人們透過傳播實踐與其他社會實踐揉合互動改變社會建構過程，已是當代轉型中的傳播特徵；其中科技加速傳佈與發展速度，經常是後現代時間隱喻座落之處。本研究藉媒介化理論之傳播形定概念展開反身性的另類時間性視野，探討台灣首部院線映演之生態紀錄片《老鷹想飛》如何在科技、文類、文本的交互中介域，交織多重時間經驗的媒介化敘事過程中，透過行動者訪談與回看，詮釋其至今仍實質影響生態保育與友善耕作之媒介化故事效應。  

In the age of transforming communications, the media are increasingly intertwined to the texture of people's daily life and change the constructive process of practices both in communication and other social domains. The accelerating speed generated by media technology is often the time metaphor where postmodern located. However, this study attempts to extend a reflexive discourse with the concept of communicative figurations in the constructive approach of mediaization theories. From the alternative perspective of temporality, it explores how Documentary " Fly, Kite Fly", the first ecological film theatrical released in Taiwan, generated the multiple ‘timescape’ articulated technology, genre and text in the zone of intermediacy. Not confined to a binary divide between the text and audience in the cross-media narrative process, key social actors are interviewed and invited to look back so as to interpret the mediatized story consequences that still substantially affect the environmental conservation and eco-friendly agriculture.