中國電影【破門】和台灣電影【KANO】皆是以運動為題材的類型電影，然而這兩部電影的地域性、社會背景、文化民俗皆不相近，乃至電影定調與票房亦相差甚遠，卻在敘事的鋪排上有其相似性。本文以質化研究的文本分析方法，透過敘事理論進行場景、角色的分析，將兩部電影做比較研究，分析其中敘事建構的異同之處，藉此討論運動電影作為一種類型電影的敘事策略，及其文本的意涵與價值。研究結果發現，出現的主場景為訓練場地、比賽場域兩類，前者以泥濘、田野為主，並且都出現「雨天」，藉由雨的考驗，來彰顯運動員的毅力和求勝心，對訓練的努力不懈；後者則以敵隊的豐富資源和標準規格之賽場為對比，凸顯主角們在較差的環境下，仍然堅持下去的信念，展現其運動精神。角色分析有別於過去多關注於主角，以具備特質的能力者、幽默者、最佳綠葉、特殊身份者四類進行分析。兩部電影裡的球隊同樣始於不受尊重、較無資源、實力弱的隊伍，起點低卻都有一位良師—教練,促使球隊實力向上。兩部電影雖立意不同，卻同樣體現出不畏辛苦、努力不懈的運動家精神。 

Both China’s movies You’ll Never Walk Alone and Taiwan’s movies KANO can be regarded as sports films. In these two movies, which are different in region, social background, culture and folk custom, and even in the purpose of film production, the similarities in narration are discussed. Based on the narrative analysis method of qualitative research, so as to explore sports films text, how to say and say what, through the narrative theory of the scene, the role of analysis, at the same time, comparative study of the two movies, the analysis of the similarities and differences of the narrative construction, as well as sports films as a type, have what meaning and value.