本土恐怖系列電影「紅衣三部曲」不僅在「市場」上成功，製作團隊的相關「類型」論述也獲得了肯定和推崇。然而，本研究認為，正是因為「紅衣」的操作在許多方面是成功的，其背後的論述基礎就更值得檢視。本研究發現，「紅衣小女孩」製作團隊挪用主要來自好萊塢電影產業的商業類型電影概念，建立此一操作模式的正當性，並扣緊「本土」與「恐怖」兩個元素，仿照好萊塢商業類型電影的綜效與IP策略，實現出獨特的當代台灣恐怖類型電影模式。 

The Tag-Along Trilogy, a local horror movie series, has not only succeeded in the market but also gained a lot of recognition and admiration for the production team’s statements on genre in Taiwan. However, this study suggests that despite the success of the Tag-Along Trilogy, the statements and practices made by the “Tag-Along” production team need further consideration and discussion.