In this study, I take cultural consumption of classical music as an example, trying to break the old concept--culture industry--when examining whether accessibility of cultural goods and empowerment from communication technologies could help disperse distinction of taste and class in this modern capitalist society. Through in-depth interviews I reach inter-subjective understanding with my interviewees who are also social agents in the cultural field of classical music, and then capture the judgement of taste and its operation hidden in the cultural consumption of music.